This poem mixes the metaphor of place and uses branding terminologies to conflate notions of reality and location in a post-modern, post-literate American culture.By blurring the lines of reality, it links to the subconscious and commits to realism the same fuzzy truisms an Instagram post adds to the visual-literary canon.
"Anaconda, Montana: December, 2011,"
Forces: Vol. 2020
, Article 8.
Available at: https://digitalcommons.collin.edu/forces/vol2020/iss1/8